Paul Jenkins
Phenomena Rope the Wind
50″ x 77 7/8″
Oil On Canvas
1979
Provenance:
Gimpel & Weitzenhoffer, NY.
Sotheby’s New York, NY (May 1986)
Private Collection, NY

Mr. Brainwash
Picasso
84″ x 72″
Mixed Media on Canvas

Albert André
18″ x 21 1/2″
Oil on Canvas
1893
Provenance:
Galerie Durand-Ruel, Paris (label on stretcher)
The private collection of Elie Léon Brami (1901 – 1983),
owner of Galerie Sélection, Tunis and Galerie Vendomé, Paris
Acquired from his widow, in 2015, by Waterhouse & Dodd, London
Private collection, UK

Emile A. Gruppé
24″ x 36″
Oil on Canvas
Circa 1964

Eduardo Guelfenbein
51 1/8″ x 63 3/4″
Acrylic On Canvas
2016
My soul has instant expression in my latest liquid abstractions.
The creative emotional satisfaction brought by the liquid technique,
is always a new experience, much is a process of discovery,
whilst carving through thick textured acrylic, and letting myself flow with music,
the joys of the inner child emerge whilst brushed lines travel across the canvas, morphologically binding colors.
Technically I have evolved over the years, but my aim today is to create interesting acrylic texture,
where light refracts strongly, with contrasting carved gestual strokes, and mostly, a full color palettte.
Potentially the liquid transformations and twisting patterns are infinite, much like a cosmic creation,
generating different feelings and never-ending forms.
Whilst as a figurative painter, I was painting abstractions within the figure, today freed from the silhouettes,
the liquid abstractions create in me the same emotional feelings of Love, Beauty, Truth and Goodness,
infinite emotions that have no limit, like an abstract painting open to the imagination.

Eduardo Guelfenbein
Acrylic on Canvas
51 3/8″ x 38 1/8″
017
My soul has instant expression in my latest liquid abstractions.
The creative emotional satisfaction brought by the liquid technique,
is always a new experience, much is a process of discovery,
whilst carving through thick textured acrylic, and letting myself flow with music,
the joys of the inner child emerge whilst brushed lines travel across the canvas, morphologically binding colors.
Technically I have evolved over the years, but my aim today is to create interesting acrylic texture,
where light refracts strongly, with contrasting carved gestual strokes, and mostly, a full color palettte.
Potentially the liquid transformations and twisting patterns are infinite, much like a cosmic creation,
generating different feelings and never-ending forms.
Whilst as a figurative painter, I was painting abstractions within the figure, today freed from the silhouettes,
the liquid abstractions create in me the same emotional feelings of Love, Beauty, Truth and Goodness,
infinite emotions that have no limit, like an abstract painting open to the imagination.

Chadwick Arcinue
Dreamscape V
Acrylic on Canvas
60″ x 48″
2019
Dreamscape IV
Acrylic on Canvas
60″ x 48″
2019
Can be sold individually or as a Diptych

Jaro
“Day and Night”
36″ x 36″
Oil on Canvas
2012

Featured Fair
Art Palm Beach 2018
Featured Collection
Maximilien Luce
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John “Crash” Matos
Featured Artists

Classical Geometric Abstraction
Jaro’s paintings, though totally modern, easily transport the viewer back to the time that museums such as the Museum of Non-Objective Painting (later, the Guggenheim) were first being built to show such works.
A good friend and student of Rolph Scarlett, Jaro has devoted himself to his singular vision for over forty years.
While the world changed around him, Jaro’s paintings remained unique in their modernity, while powerful in their sense of color and commanding geometric shapes that collide with such harmony, the effect is, at once, exciting, yet calming.

Acrylic on Canvas
60″ x 48″ (120″ x 96″)
2019

51 1/8″ x 63 3/4″
Acrylic On Canvas
2016

24″ x 30″
Oil On Canvas
1936 Circa

24″ x 18 3/4″
Watercolor
1930
Certificate from the Paul Klee Foundation The Paul Klee Foundation, Catalogue Raisonné, Bern, 2001
Exhibitions: • Berlin, Galerie Alfred Flechtheim, 1931, no. 31 • New York, Buchholz Gallery (Curt Valentin), 1938, no. 39 • New York, Buchholz Gallery (Curt Valentin), 1943, no. 13 • New York, The Museum of Modern Art, Modern Drawings , February 1944, no. 52
Provenance: • Alfred Flechtheim, Dusseldorf, Berlin, Paris, and London (by 1931) • Alex Vömel, Dusseldorf • Daniel-Henry Kahnweiler, Paris • Curt Valentin (Buchholz Gallery and Valentin Gallery), Berlin and New York (1937-1938) • Priscilla Gilbert, Neenah • Edward Tyler Nahem Fine Arts, New York

17 1/2″ x 27 1/4″
Oil On Canvas
1897
Provenance: The Shinnecock School of Art, Long Island, NY Douglas John Cannah, Essex, CT, 1907 – 1941 Mrs. Virginia Davidson Strecker, CT 1941 – 1987 Hammer Galleries, New York, NY Private Collection Exhibited •Art Institute of Chicago, Chicago, IL, Paintings by William Merritt Chase, 1897, no. 27 •The Philadelphia Academy of Fine arts, Philadelphia, PA, Annual Exhibition, 1901, no. 93 •The Art Club of Philadelphia, Philadelphia, PA, Annual Exhibition, 1902, no. 213 Literature •James William Pattison, “The Buck Collection of Watercolor/Historic, Artistic, Complete”, Fine Arts Journal, June 11, 1911, p. 378, llustrated •John Herron Art Museum, Indianapolis, IN, “Checklist of Known Work By William Merritt Chase”, in the Chase Centennial Exhibition Catalogue, 1947 •Ronald Pisano, “Research Report”, unpublished manuscript

8″ x 10″
Watercolor
Circa 1926
Provenance: The Estate of Martha Walter
David David Gallery, Philadelphia

67 1/4″ x 119 1/2″
Spray Enamel On Canvas
1987

25″ x 30″
Oil on Canvas
Circa 1970
Featured Works

60″ x 48″
Oil on Canvas
2014

48″ x 48″
Oil on Canvas
2012

30″x 30″
Oil on Canvas
2012

51 1/8″ x 38/1/8″
Acrylic On Canvas
2017

50 1/8″ x 38 1/8″
Acrylic On Canvas
2017

51 1/8″ x 63 3/4″
Acrylic On Canvas
2016

The Cabin
8″ x 10″
Oil on Masonite
Circa 1947

“At the Cabin”
8″ x 10″
Oil on Masonite
Circa 1947

25″ x 30″
Oil on Canvas
Circa 1970

22 1/4″ x 18 1/2″
Oil on Canvas
Circa 1955

Hand Blown Glass
1996
Piccolo Venetian

52″ x 52″
Oil & Acrylic On Canvas
2014

50″ x 77 7/8″
Oil On Canvas
1979

24″ x 30″
Oil On Canvas
1935 Circa

24″ x 30″
Oil On Canvas
1940 Circa

24″ x 30″
Oil On Canvas
1936 Circa

11 3/4″ x 17 1/2″
Watercolor, Graphite & Ink On Paper
1950 Circa

20 1/2″ x 25″
Oil On Canvas
1960 Circa

11″ x 8 3/4″
Oil On Board
1940 Circa
Provenance:
Estate of Charles Carpenter (who took care of Shaw until he died), to Victor Jenner in Connecticut, to Christopher Scott

19 5/8″ x 24″
Oil On Canvas
Provenance: Stern Art Dealers
The Collction of David Stern and Lelia Pissarro

22″ x 26″
Oil On Canvas
1940 Circa

17 1/2″ x 27 1/4″
Oil On Canvas
1897
Provenance:
The Shinnecock School of Art, Long Island, NY
Douglas John Cannah, Essex, CT, 1907 – 1941
Mrs. Virginia Davidson Strecker, CT 1941 – 1987
Hammer Galleries, New York, NY
Private Collection
Exhibited
•Art Institute of Chicago, Chicago, IL, Paintings by William Merritt Chase, 1897, no. 27
•The Philadelphia Academy of Fine arts, Philadelphia, PA, Annual Exhibition, 1901, no. 93
•The Art Club of Philadelphia, Philadelphia, PA, Annual Exhibition, 1902, no. 213
Literature
•James William Pattison, “The Buck Collection of Watercolor/Historic, Artistic, Complete”, Fine Arts Journal, June 11, 1911, p. 378, llustrated
•John Herron Art Museum, Indianapolis, IN, “Checklist of Known Work By William Merritt Chase”, in the Chase Centennial Exhibition Catalogue, 1947
•Ronald Pisano, “Research Report”, unpublished manuscript

18″ x 24″
Oil on Canvas
1918 Circa

66″ x 84″
Spray Enamel On Canvas
2014

72″ x 80″
Spray Enamel On Canvas
2013

67 1/4″ x 119 1/2″
Spray Enamel On Canvas
1987

16 1/2″ x 15″
Oil on Panel
1960 circa

25″ x 46″
Oil on Canvas
1918

20″ x 47 1/2″
Oil on canvas
1944-45