About the Artist
Classical Geometric Abstraction
Jaro’s paintings, though totally modern, easily transport the viewer back to the time that museums such as the Museum of Non-Objective Painting (later, the Guggenheim) were first being built to show such works.
A good friend and student of Rolph Scarlett, Jaro has devoted himself to his singular vision for over forty years.
While the world changed around him, Jaro’s paintings remained unique in their modernity, while powerful in their sense of color and commanding geometric shapes that collide with such harmony, the effect is, at once, exciting, yet calming.